As far as how the unit sounds when both the amp and dac components are in use, it’s nothing short of spectacular. Then I left the DAC on for a couple of weeks, where it busily decoded the signals from my computer, waiting for another critical listen. This unit is really quite small, and I know better than to assess audio “by the pound”, but I must confess, when I saw the “wall-wart” power supply, I muttered to myself “this thing does not even have a real power supply”. Please use the menu options at the top to navigate through the various sections of our site layout. HiFi – is our life.There is an audiophile rule being broken here. It’s amazing this result was possible at all, considering I was listening to a pair of 3-inch full-range drivers powered by a pair of puny 8wpc tube amps.Last track on my audio chopping block was Buddy Guy’s version of ‘Crawlin’ Kingsnake’ from his A component costing this little shouldn’t sound so good. There was not any more bass, but what was there was better defined.In an effort to test the Beresford a little more seriously, I swapped out the trusty Rotel and inserted my Kavent P1100 tube hybrid monoblocks (also 100 WPC), and connected them to the variable output of the Beresford. Some menu options will redirect you to our sales website, whilst others will take you to our technical and support website. The midrange had recessed a bit, but was still quite forward. Most pleasing was the realism of Nils’ plucked and strummed guitar, which sounded extremely realistic through the Bushmaster.

Now, are my ears not audiophile enough? Item: Beresford Bushmaster TC-7533 MkII Dac Location: Hamlyn Terrace, NSW. Guitars are a treat to listen as well because again, the variance in tones is extremely easy to notice — something like Maggot Brain is presented with guitars at the forefront with a degree of edge while something such as the glassy tones that emo artists such as American Football use are extraordinarily smooth without being dominant. The Beresford Bushmaster MKII is a step in a long chain of innovation by Stanley Beresford. When used with the HD650s, although the soundstage is limited, the MKII provides a greater sense of space than any other combination that I’ve tried. You can have the handling of a truck with the cargo capacity of a car…or was that supposed to be the other way around?Every audiophile knows that you need lots of little boxes to make a good system, each one with its very own job.

The spdif cable used for the i20 was Nordost’s Heimdall, complete overkill in terms of the system cost but it did look very pretty hanging out of the little Pure iPod dock, and it certainly did the business sonically.

For example, a strong voice like Nina Simone or Odetta is extremely resonant and in your face while a higher softer voice such as Joanna Newsom’s floats above the mix. 05 November 2009. I could picture the performer on a stage in a small venue, giving a very intimate sonic result – the soundstage appeared well clear of the confines of the loudspeakers, while Nils’ voice appeared exactly between each speaker with superb timbre and body.Stanley Clarke’s ‘Passenger 57 Main Title’ – from the movie of the same name – is still one of my favourite reference tracks for sheer all-out attack and dynamic swing, and the Bushmaster didn’t disappoint either, giving a breathless rendition of this exciting tune with crashing percussion, impactful synthesiser breaks and shuddering deep bass. Using the Dorado MKII (TC-7340) with the original 12V PSU. Beresford's latest DAC in an ever-growing line is the Caiman, which is adaptable, and does the job admirably Tested at £220. The treble was still a bit harsh through the Beresford, whereas the Musiland MD-10 presents a smoother, more refined (but perhaps less detailed) sound. As far as detail extraction, I don’t think it’s appropriate to speak about the amount of detail because many DACs that the MKII competes with are detailed, but the important component is clarity of detail. Heard good thing about it, too.

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